The amount is the work of Ken Graves and Eva Lipman, a pair of married photographers who met whereas taking pictures a ballroom-dance competitors in Ohio, in 1986. Graves died, in 2016, on the age of seventy-four, and the guide concludes with a rending word from Lipman: “These photos had been made in collaboration with my accomplice in life and work, Ken Graves. I’ll ceaselessly be thankful for his love and generosity, his unfailing optimism, and for sharing with me his unusual and distinctive world view. I miss him on a regular basis.”
Fortunately, their joint imaginative and prescient survives him in forty-two fond, humorous, and stunning images that make up “Restraint and Want.” Contact is Graves and Lipman’s nice topic: they’re fascinated by the best way that its risk animates even our bodies in isolation. In a single image, boys in army uniforms, maybe praying or performing a drill, stand at common intervals from each other. The digital camera sits between two of them and throughout from a 3rd, as if the viewer is a part of the boys’ extreme formation—as if our our bodies, too, are topic to the pressures of army geometry and the temptations of uncooked adolescent physicality.